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€220 invested per ton CO2 we emitted in 2022. Let's break that down.
Arla X KP – An Immersive Collaboration
Creating a Conversational Culture
Connecting passengers across systems
The Branding Dilemma in the Built Environment
Evolving Family Structures: A typographic translation of familial relations
A brave collaboration needs a brave design
Arla Foods awarded for the best annual report
Employer branding in a time of transition
Award-winning motion studio “Nothing” joins Kontrapunkt
Delivering more value to your readers
A Kravling Award for timeless artistry
Annual Reporting: Show it don’t tell it
We’re not short on type in the CCA shortlisting
YCCA Shortlist — Et vildt marked
It’s quality and community in a can
Aligning ESG and Brand Strategy: Building a Sustainable Brand
Annual Reporting: The first impression doesn’t offer a second chance
Annual Reporting: Show your true colours
Annual Reporting: ESG is a question of showing off vs. showing real results
Annual Reporting: Is purpose hot air?
Sustainability Check: We still need to do better
Branding for the good life, within our limits
Annual Reporting: Performance is key
Designing Desirable Futures
Future Laboratory
Can dreams save us all?
Crown jewels do not age
A lifetime with letters
Just in time for the holidays
The talent of encouraging others to GIVE UP
(Re)discover Originality
What is the point of a purpose if you don’t stand your ground?
The Visual Identity of Two Queens
We’re always looking forward to looking back
Ich bin ein designer
Designer of a decade
Let’s talk about Pride Week
Designing Beyond the Binary
Nine Months Too Early
Designing democracy Altinget
A logo fit for the queen
Gold for Denmark
Rebrand ahoy
Behind the screens
A new generation of partners
A match made of gold
Visit Kontrapunkt Type
Step inside Kontrapunkt Type
A (new) LAB
idea アイデア
Shiseido and Goertek win DFA (Design for Asia) award
Cityringen is open
Cool Meets Cosy in New Tokyo Office
Design for the Danish Ministry of Defence
New Global Brand Typeface for Nissan